Brianna Kish

Retouching Director

Brianna Kish is credited as Retouching Director in Félix Magazine’s Winter 2026 issue, The Quiet Heat.

Part of the
Félix story.

Every story carries the time, skill and care of the people who make it. We are grateful for the writers and creative teams who share their talents with Félix.

Credits & collaborations

Stories and collaborations, with the contributor’s role credited alongside the work.

Photography: Justin Patterson

Culture / Issues

From the archive

Holding the Center: J. Bernard Calloway on fatherhood, family, and the quiet strength of Terry Carson

The hardest thing to play on television is not rage. It is not charm, or grief, or swagger, or pain dressed up as confidence.…

Retouching: Brianna Kish

Photography: By PIP

Culture

From the archive

Tom Cullen: Between Shadows and Spotlight

From indie breakthroughs to global franchises, Tom Cullen is redefining what it means to be a leading man — complex, fearless, and deeply human.

Retouching: Brianna Kish

Photography: Meagan Shuptar

People / Winter 2026

From the archive

The Long Game

Ernie Hudson on legacy, reinvention, and the work.

Retouching: Brianna Kish

Creative work.
Shared purpose.

Félix is wholly owned by The Apareció Foundation. The publication brings together a volunteer creative community, and all net proceeds from Félix Magazine advertisement sales support the Foundation and girls’ education.

More creatives.

Meet the people who help bring each issue of Félix to life.

Brianna Kish

Part of theFélix story.

Credits & collaborations

Holding the Center: J. Bernard Calloway on fatherhood, family, and the quiet strength of Terry Carson

Tom Cullen: Between Shadows and Spotlight

The Long Game

Creative work.Shared purpose.

More creatives.

Alexis Bergens

Barbara Lamelza

Christina Rosas Anastasiou

Part of the
Félix story.

Creative work.
Shared purpose.